Editorial
Banishing the blues
Articles
Tico Seifert, Adam Elsheimer’s « The martyrdom of St Lawrence » rediscovered
Jochai Rosen, Anthonie Palamedes’s paintings for the Delft Surgeons’ Guildhall
Esther Van Der Hoorn, Drawings of Van Vianen silver in an eighteenth-century collection
Bennett Tucker, El Lissitzky as a furniture designer, 1925–30
Exhibitions
Christopher Baker, Renaissance Watercolours: From Dürer to Van Dyck
Andrew Sears, Gold und Ruhm: Kunst und Macht unter Kaiser Heinrich II
Patricia Strohmaier, Zeitenwende 1400: Hildesheim als Europäische Metropole
Larry Silver, Renaissance Invention: Stradanus’s « Nova Reperta »
Aoiffe Brady, Artemisia
Satish Padiyar, Face to Face: Thorvaldsen and Portraiture
Lieke Wijnia, Mondrian and De Stijl
Colin Rhodes, Elijah Pierce’s America
Books
Gavin Parkinson, The Marquis de Sade and the Avant-Garde
Richard Plant, 1000 Jahre Bartholomäuskapelle in Paderborn: Geschichte – Liturgie – Denkmalpflege
Julian Luxford, Eloquent Bodies: Movement, Expression, and the Human Figure in Gothic Sculpture
Dora Thornton, Bernard Palissy: nouveaux regards sur la céramique française aux XVIe et XVIIe siècles (Technè 47)
Erin Griffey, Arrayed in Splendour: Art, Fashion, and Textiles in Medieval and Early Modern Europe Undressing Rubens: Fashion and Painting in Seventeenth-Century Antwerp
François Marandet, René-Antoine Houasse: Peindre pour Louis XIV
Colin Thom, Building Reputations: Architecture and the Artisan, 1750–1830
Jeremy Warren, Gustave Dreyfus: Collectionneur et Mécène dans le Paris de la Belle Epoque
Sarah Whitfield, Matisse: The Books
Anne Massey, London’s New Scene: Art and Culture in the 1960s
Elizabeth Alexander, Early Irish Sculpture and the Art of the High Crosses
Devotional Portraiture and Spiritual Experience in Early Netherlandish Painting
Bruce Boucher, The Athenaeum: More Than Just Another London Club
Matthew Holliday, Creative Gatherings: Meeting Places of Modernism
Obituary
Arie Wallert, J.R.J. van Asperen de Boer (1935–2020)