Editorial
In store at the National Gallery
Articles
Two coral cabinets made for Claude Lamoral I, Prince de Ligne and Viceroy of Sicily
By Mario Tavella
Bas-reliefs after Angelica Kauffman
By Conor Lucey
The architect and the philhellene: newly discovered designs by John Nash for Frederick North’s London house
By Paul Hetherington,Jane Bradney
Thorvaldsen’s portrait of Giovanna Riario Sforza rediscovered
By Matteo Gardonio
Point counter-point: John Frederick Lewis and the Khan al-Khalili, Cairo
By Briony Llewellyn
William Holman Hunt’s first idea for ‘The hireling shepherd’?
By Alastair Grieve
Books
The Badia of Florence: Art and Observance in a Renaissance Monastery, A. Leader
By Scott Nethersole
Screen of Kings: Royal art and power in Ming China, C. Clunas
Wall Paintings of Eton, E. Howe et al.
By Lucy Wrapson
The Hockemeyer Collection, Maiolica and Glass, T. Wilson and J.V.G. Mallet
Landscapes of London: the City, the Country and the Suburbs, 1660–1840, E. McKellar
Giambattista Crosato. Pittore del Rococò europeo, D. Ton
By Xavier F. Salomon
Le Ciseau et la tiare. Les sculpteurs dans la Rome des papes (1724–1758), A.-L. Desmas
The Wallace Collection: Catalogue of Gold Boxes, C. Truman
By Richard Edgcumbe
Adolf Loos. The Art of Architecture, J. Masheck
By Colin Amery
Generation Dada: The Berlin Avant-Garde and the First World War, M. White
By Catherine Craft
Bernard Berenson: A Life in the Picture Trade, R. Cohen
By Robert B. Simon
The troubled sixteenth century
Exhibitions
Paris 1900
By Rachel Sloan
Brancusi, Rosso, Man Ray
By Patrick Elliott
Johannes Thopas
By Eddy Schavemaker
Pontormo and Rosso Fiorentino
By Robert B. Simon
Gauguin
By Richard R. Brettell
Sigmar Polke
By David Carrier
Recent shows
By Anne Blood
Forrest Bess
By David Anfam
Van Gogh’s Repetitions
By Simon Kelly
The Neo-Impressionist portrait
By Belinda Thomson
Take It or Leave It
By James Lawrence
Charlemagne
By Frances Parton