Contents
Jean Michel Massing, The Origin of the Iconography of Cannibalism in the Early Modern Period
John Gash, Bartolomeo Manfredi’s St John the Baptist and its Mezzotint
Paul Laidler, Revisiting Richard Hamilton’s Typo/Topography of Marcel Duchamp’s Large Glass
Shorter Notices
Martin Hopkinson, Prints at the Allied Artists’ Association, 1907–21
Hilary Chapman, Yoshijiro Urushibara and Frank Brangwyn : A Question of Size
Notes
Peter Parshall, Albrecht Dürer’s Melencolia
Thomas Ketelsen, Seventeenth-Century Netherlandish Prints in Hamburg Collections
Henri Zerner, L’Art et Le Modèle in Renaissance Lorraine
Emma Gagnon, The Digitization of Prints in The Royal Collection, Windsor
Mark McDonald, An Overlooked Print after Alonso Cano
Aloisio Antinori, Architectural Models in the Early Modern Period, Primarily in Italy
Antony Griffiths, Print Pedlars and Mapmaking in Eighteenth-Century Augsburg
Emile de Bruijn, The Backstory of Wallpaper : Paper-Hangings 1650–1750
Barbara Jatta, Francesco Sicuro’s Views of Messina, 1767–70
Michael Harris, Printing the News, c.1400–1800
Marjorie B. Cohn, The First Smithsonian Collection : The European Engravings of George Perkins Marsh
Rosina Buckland, Nineteenth-Century Kabuki Woodblock Prints in Geneva
Jeremy Wikeley, Whistler’s Depictions of London and Whistler Online
Martin Hopkinson, A Whistler Festschrift
Martin Hopkinson, Prints at the Society of British Artists, 1887
Martin Hopkinson, Twentieth-Century Artists from North West Italy in Florence
Peter Harrington, Brangwyn at War !
Gordon Cooke, C.R.W. Nevinson : Complete Prints
Ellis Tinios, Modern Japanese Prints – Shin Hanga
Christopher Adams, Fortunato Depero Rediscovered
Geneviève Verdigel, Safiuddin Ahmed of Bangladesh
Rosie Howell, Barry Cleavin
Michaël La Chance, Martin Müller-Reinhart’s Sanctified Spaces
Christian Rümelin, Impact 7 Conference Papers
Paul Coldwell, Impact 8. Borders and Crossing
Obituary Jocelyne Bancel
Publications Received