Sommaire
Susannah Rutherglen : ‘Resplendent Brushes’ : Giovanni Bellini’s Resurrection Altarpiece for San Michele di Murano, Venice
Alison Luchs : Titian, Friendship, and the Vienna Ecce Homo for Giovanni d’Anna
Patricia Fortini Brown : Vain Legislation against vana ostentazione : Sumptuary Laws in the Venetian Dominion
Sarah Blake McHam : Voids Matter : Donatello’s Lamentation
Claudia Kryza-Gersch : Confusing Signatures on Bronzes : Sculptor and Caster in Renaissance Venice
JoAnne G. Bernstein : Medea Colleoni : A Renaissance Tomb of Her Own by G. A. Amadeo
Shelley E. Zuraw : An Axis for Quattrocento Tomb Design : From Florence to Venice, Naples, and Rome
Jack Freiberg : Bramante’s Portrait Medal : Classical Hero/Christian Architect
Bronwen Wilson : The Itinerant Artist and the Islamic Urban Prospect : Guillaume-Joseph Grélot’s Self-portraits in Ambrosio Bembo’s Travel Journal
Emily Pegues : Jan Borreman’s Wooden Models for Bronze Sculpture : A Documentary Reconstruction
Theresa Flanigan : Women’s Speech in the Tornabuoni Chapel
Stefania Pasti : Committenza e iconografia nella Pala Fugger di Giulio Romano
Marcin Fabianski : The Beginnings of Woodcut Portrait in Poland. The Images of King Sigismund I against their Literary Background
Jamie Mulherron : Raphael, Michelangelo and Heliodorus : Intermutations on the figura serpentinata
Charles Burroughs : Botticelli’s Stone : Giorgio Vasari, Telling Stories, and the Power of Matter